Bride and groom, tili-tili-dough. Review: “Gone Girl”
About "Disappeared" David Fincher You can’t tell much; if you enthusiastically tell your friend about the maestro’s new creation, your ears may roll up from the abundance of spoilers. You need to speak briefly, on topic and not go into all the twists and turns of the plot. It so happens that Fincher masterfully masters the ability to tell a story, and to do it in such a way that the viewer, after viewing the picture, will laugh at his own stupidity for a very long time, and, thinking about what he saw in the evenings, will say: “That’s how it is.”! How could I not have guessed. ». Nick (Ben Affleck) And Amy (Rosamund Pike) live happily, dreaming that it will always be like this. In honor of the fifth anniversary, Amy intends to give her husband a treasure hunt, which has been timed to coincide with the holiday for five years. Arriving home after his errands, Nick does not find his wife at home, and chaos was clearly going on in the apartment – it looks like a typical kidnapping. Trying to figure out what’s going on and find his wife, Nick helps the police in every possible way, provides information about their life together, and finds out for himself that he doesn’t know his wife that well. The press in the “commonwealth” with the city population are sure that Nick killed his wife, they are ready to nip him in the bud, but not everything is as simple as it seems at first glance. Throughout the film, your sympathy can take different sides, and this is at least intriguing. For intrigue and investigation, a detective story, and very stylish, Fincher-esque plot twists and a style recognizable with half-closed eyes. It’s time to stop here about the description of the plot, but it is necessary to note the fantastic ability of the director and screenwriters to fit ordinary everyday problems into the context of a psychological thriller. Lies, dirt and narcissism are the root of the whole picture, the core. By the way, if you haven’t read the book of the same name Gillian Flynn, then there is nothing to be afraid of. The author, acting as a screenwriter, changed several scenes herself, so you won’t miss anything supernatural.
Cause-and-effect relationships are absolutely executed at https://casinoclassiconline.uk the highest level. Everything is clear immediately after watching, only, of course, it’s not so easy to grasp the message of the film, but in fact there can be from at least one to, at most, infinity. And this is what the viewer needs today. As all these “living robots”, spider-men, low-grade comedies and the rest of the boring product have already put on. The cast was chosen almost perfectly, especially Rosamund Pike approached the role with full responsibility and throughout the entire film evokes such emotions that you want to either shoot her or applaud her, although the second is rather a consequence of the first. Oscar-winner Ben Affleck, before becoming Batman, enriched his filmography with an excellent role, which, perhaps, will bring him another statuette – we’ll see. Neil Patrick Harris in the role Desi, doesn’t seem to quite fit into the role or is it just a feeling of inconsistency with the types from “Gone Girl” and “How I Met Your Mother”. This is a problem with many: just remember Daniel Radcliffe or Elijah Wood.
There is music in the film and it was written Trent Reznor And Atticus Ross, but, to be honest, it’s not memorable at all, and sometimes it even goes against the picture, as they say. It’s a pity… And there was so much pleasant music in "Social Network". Unfortunately, it was not possible to repeat this in David Fincher’s new film.
As for the style and play with light, everything is very good and typical (in the good sense of the word) for “Gone Girl”. A half-depressing, half-noir picture instantly hints that it’s about to be cool, about to see Fincher.
The film is lively, the film is honest, sometimes evil and disgusting. The dirt of marriage and life together is poured out on the viewer in tons, forcing them to learn from the mistakes of Nick and Amy Dunn. A film that deserves an Oscar at least for its screenplay. One of the best films of David Fincher’s career, as he himself said. Great job Affleck and Pike. The film is worth appreciating and reflecting on what not to do. We hope there will be many more like this.